Monday, December 5, 2011

DIY Fabric Wallpaper in My Kitchen

Carter was out of town this weekend. He went to the ACC Championship in Charlotte. So, naturally, what did I do? I wallpapered our kitchen. With fabric. Without telling him.
 
 My kitchen before

 The aftermath

I have a partner in crime when it comes to anything crafty/designy - my coworker/designer/friend/teacher Crystal. This girl is amazing...she is also a photographer and the photos you'll see in this post are her doing (and they are boring DIY pix...I'll show you fun pictures she took later this week). Anyway, she and I schemed up this plan a while back and I was so happy to put it into effect this weekend.

After reading a couple of how-to tutorials online, namely this one and this one, I felt pretty confident the two of us could tackle this. Y'all know I've been toying with all sorts of wallpaper ideas for the kitchen, but I had not come across anything that I passionately loved.

The fabric I ended up using was Waverly's Formosa in Campari. I had seen this fabric but it wasn't until I saw a post from Camila a while back that it sprung back to my frontal lobe with fury.


The red looks amazing against the aqua subway tiles we installed as our backsplash and the infusion of color looks great against black and white. It is also obviously reminiscent of our dear Chiang Mai, but I actually like this fabric more because it's strictly floral (ie. no dragons) and at a ridiculously cheaper price point. Done.

Now to the how-to portion....what you'll need:

- Fabric (I used upholstery/home dec weight, which worked OK)
- Scissors
- Push pins or nails/hammer to tack up fabric while it dries
- Paintbrush
- Homemade starch
- Liquid starch
- Sponge
- Paper towels
- X-acto knife
- Patience and a partner

I wish I could tell you exactly how much fabric you'll need, but that will depend on your project. I ended up using about 5 yards, but there was a good bit of "waste" in that yardage, as we cut around doorways, etc.

My first step was to make the "homemade" starch. I boiled 3 cups of water on the stove. While that was boiling, I mixed 1/4 cup of cornstarch with some cold water just to dissolve it. Once my water was boiling, I slowly stirred in the liquid cornstarch. I let it boil for a while until I thought it was thick and bubbly - then I pulled it off and let it cool. It ended up looking something like this:


It was pretty lumpy and goopy. I was expecting something more "liquidy," but it ended up working fine. It was definitely a thicker paste - some tutorials used this over their fabric as well. If you're doing my method, DON'T DO THAT! This glue dries cloudy and white. That might be because I didn't make it right, mind you, but still. Use the liquid starch for that part (more on that below).

So once I had this goopy paste cooling, I ironed my fabric to get out the big creases/wrinkles:


Crystal and I also began surveying the awkward wall pieces in my kitchen that we were covering to determine the largest swatch of continuous fabric we would need, and used that area as our starting point.

Our first step to begin hanging was to cover the wall with our goopy paste. We used a regular paintbrush and brushed the glue on pretty thick because I was worried my thicker-weight fabric wasn't going to stick so well. I think going heavy-handed ended up being a good idea. Also, my walls were painted with a flat paint, which was a good starting point. If your walls are super glossy or slick, you may want to prime them before you start.

Once we had the layer of goop down, we started pressing the fabric against the wall to get it into place, starting from the top. The fabric was heavy, so it took one of us holding/pressing against the wall, while the other either tacked it into place with a couple of lightly nailed-in nails (don't nail in all the way - just a little to hold the fabric) or cut away the excess from doors/windows, etc.



As you can see, we left a couple inches of extra fabric around all the edges. This helps keep the fabric tacked up while it dries, and you cut away the excess later with an X-acto knife.

Fabric is really easy to place - you have plenty of time to move it around, readjust it, etc - and we didn't have to deal with any air bubbles, really. We just smoothed it out with our hands, pressing firmly to make sure it was absorbing some of the goop on the back. The hardest part of this portion is lining up the pattern, but that actually wasn't that difficult either - and we had a ton of weird slices of wall. If you had a big continuous wall, I imagine this would actually be even easier.

Once all the fabric was in place and tacked to the walls, my next step was to go back over it with liquid starch. As I mentioned, I learned the hard way that the goopy paste I made actually dries very white and very cloudy. I likely should have figured this, but I didn't think about it. And we had glopped it on over the fabric where the pattern seams met up - and now the seams are all cloudy white. So, instead of using the goop to go over the fabric to further "seal" it to the wall, I opted for pre-made liquid starch I bought at Walmart:


I poured the starch in a bowl, soaked my sponge in it, and then went over all the fabric with it. The goal is to pretty much drench the fabric in it - to do so, you have to press the soaking-wet sponge down pretty hard on the wall, which will cause the starch to get ALL over you, your hand and the floor. Make sure you use your other hand to hold a paper towel under the sponge to catch the dribble.

My fabric was also pre-treated with some sort of Scotch-gard type protector - which is great for upholstery use, but not so great when I'm trying to soak it with liquid. So getting the starch into the fabric was a little difficult, but I did my best. It also didn't feel as "sticky" as my goop paste - so I'm not sure it did much to further stick the fabric to the wall, but I liked going over the fabric's surface with something to stiffen it and give it another barrier layer on top.

Once that's done, you can just sit back and wait. I think my fabric dried in 3-4 hours, but I let it sit overnight just in case.

The next morning is when things started to unravel...literally. We have reached the X-acto knife-wielding portion of this event. This is arguably the most "fun" part because you get to slice away the excess and admire your work, but cutting fabric with an X-acto knife at weird angles on a wall is difficult. 20% of the time, the blade sliced right through with no problem, leaving a clean cut. But 80% of the time the blade tugged at the fabric or didn't slice all the way through, so I had to go over the cut several times, creating a jagged edge.

And, I was using a new blade. I ended up switching my blade up several times, which looking back I don't think was necessary. I just needed to work on my technique, but in general, this part isn't so easy. I got quite frustrated many times, but I decided to just keep going and in the end, you can't really tell some of the edges are jagged in the kitchen. BUT, I still want to fix it. I'm going to look for some very thin white trim that I can tack against the crown to hide the fabric edge. This is one place where wallpaper wins - the crisp edge of paper is nicer than fabric.

On a positive note, whenever the fabric hit up against door casing or cabinets, we usually had just enough gap behind the casing/cabinet to tuck in the fabric, so no cutting needed! This was definitely a bonus and made for some very clean edges.

These photos show the before/after - Crystal took these before the X-acto part, so the edges aren't quite trimmed down here, but you get the idea.





Carter walked in Sunday and was very surprised and impressed. I wasn't too worried he wasn't going to like it, but it still made me happy that he liked it so much. And now I can have him help me finish it up to make it look perfect.

All in all, I really loved this project. Like all things DIY, I had some hiccups and learned some lessons, but it was pretty simple to do with some great results. Hanging the fabric probably took us a total of 4 hours and cutting it took about 1 hour or so. If you had a lot more wall space, this would obviously increase, but it's still not a ton of time.

And the huge bonus of fabric as wallpaper is that it removes very, very easily. You can just peel the fabric off the wall when you are ready to remove it. Or, if it doesn't budge, just wet the fabric to dissolve the starch and you should be good to go. You can even wash your fabric to rid it of residual starch and reuse it. I would not recommend this treatment for very damp spaces, like a bathroom or behind a kitchen sink, but it's a great option for basically anywhere else in your home.

Thanks again to Crystal for the helping hand and the picture-taking! Email me with any questions!

UPDATE 2017: It's now 6 years later and we decided to take the wallpaper down...and it came off SO easily. It also held up wonderfully for the 6 years we had it up - it definitely had lots and lots of life left in it. But when it came time to remove, most of it just peeled right off as I pulled very gently. Any parts that seemed stuck, I just dampened to loosen. The fabric did leave debris and some residue on the walls, but that cleaned right up with just a sponge and warm water. Removing the wallpaper AND cleaning the walls took me all of one hour. Win, win.


Friday, December 2, 2011

Friday Crush


My Thanksgiving centerpiece! With all my babbling about Mason's nursery this week, I didn't get to show you scenes from my Thanksgiving table. Our dining table is small, so I like to keep my centerpieces low and compact. I found these beautiful yellow gourds at the grocery store, so I picked up an inexpensive bouquet with yellow and plum tones and split it up among my collection of mint julep cups of various sizes. Paired with my favorite crystal candlesticks (thanks, Kat!) and orchid colored tapers, it was quite lovely.

I'm crazy for Christmas, so December weekends are my favorite! Hope you enjoy yours...see you Monday!


 

Thursday, December 1, 2011

Painted Dresser and Nursery Prints

I hope you are enjoying hearing about Mason's nursery. I'm really enjoying telling you about it and I could probably go on and on about the room because it's now a little nugget of my heart, but I think I'll wrap it up today with some final details.

Today's story is about this area of Mason's room:


It's home to my two favorite projects. The first is the set of prints that hang above the dresser.



Kerry correctly identified where these prints came from. They are originally from a Little Golden Book called "Corky."


The day Julianne and I were hitting up vintage shops and found the vintage rocker, we also came across a copy of this book for $5. Julianne is a black lab NUT - she and David have two black labs, Brady and Lucy.

Seeing this little book almost made Julianne cry in the store. So we obvi had to get it. And then I blew her mind by telling her that we could rip out the pages and frame them for the nursery. She loved the idea.

But I kept the best part secret...I didn't tell Julianne that I actually didn't have to rip out the pages. With a scanner and my Mad Photoshop Skills*, I was able to scan the pages we liked and then doctor them up to make them look fresh and match the colors of the room. I also took artistic license with the prose and changed names and sentence structure.

So I started with this scan:


And this is what it looked like after applying my MPS:


Brady got the role in the book because he came first. Lucy is his little sister and I thought that the first-born deserved the part.

Another example:




Pretty nifty, huh? I really, really loved working on this because we got a huge bang for our buck. Once my files were done, I had Staples color print them on 8.5x11 cardstock for a whopping $1/each. And I framed them in very inexpensive 8x10 light wood frames from AC Moore. The whole wall of prints was less than $20 and arguably one of the most sentimental things in the room.

And my other favorite project was definitely the dresser. Remember this $40 Craigslist find?


I loved that Julianne and I worked on this together - mainly because it helped me get it done but also because I think she enjoyed playing a part in creating something for the nursery.


We cleaned this guy, sanded him down a bit and then used oil-based primer to create a nice fresh layer. Then we painted it using a sample quart from Sherwin Williams, but I forget the color. Those sample quarts are such a good deal - $5 for SW's high-quality paint (it's my favorite). The quart was MORE than enough to paint this piece with two coats.

Then we painted in the detail with Folk Art craft paint and some small paintbrushes. I think the color was "Antique Gold" - it was a coppery-gold that I used to bring out the copper of the lamp (which I found at HomeGoods...I LOVE IT).


The project took time, but it was not difficult. And I was able to get exactly what I wanted for a great price.

That wraps up the tour of projects! If you have questions about a specific item's source or anything in the room, feel free to email me!



 *Shout-out to my friend and fellow designer Crystal who also shared some of her Mad Photoshop Skills with me and helped make the prints extra awesome.

Wednesday, November 30, 2011

Oversized Stuffed Animals

Did you like the giraffe in Mason's nursery?


Oversized stuffed animals are one trend in nursery design that I really, really love. And giraffes (no doubt the most popular choice) are so stinkin' cute. For Mason's room, this giraffe provided a bit of height that I needed to break up the level plane of the crib and the dresser and his colors were a perfect complement to the rest of the room. Not to mention that he upped the fun factor.

I always thought these oversized stuffed animals cost a small fortune and figured that using one was probably not wise with our small (but adequate) budget. Although you can indeed find them for several hundred dollars, I was very happy to find out that Amazon (and other online retailers) carry the Melissa & Doug versions for less than $75!

And there are so many awesome options to choose from:






Ummm, isn't the zebra amazing? I could see two flanking either side of a very chic crib. I absolutely love how the giraffe turned out for Mason, so I will definitely be filing this idea away for the future Shuffler children.


 

Tuesday, November 29, 2011

IKEA Hack: DIY Crib Bumper and Monogrammed Pillow

Mason's nursery was full of little projects, two of which were courtesy of some clever usage of inexpensive IKEA items.

I knew I wanted to use custom fabrics for the room's curtains and crib linens, but had I made a crib bumper or crib skirt before? No. And Julianne still trusted me to make hers? Yes. She is a good friend. Or maybe I just didn't tell her that I had never done it before.




I'm not sure where in the recesses of my brain I had stored this information (or why), but I recalled that IKEA has a fantastic, very simple crib bumper that I could use as my starting point. The Kompisar bumper is only $14.99, white, and very thin so it's easy to cover with fabric.
The short version of this story is that I took several strips of my 54" wide fabric, sewed them together to make two very long strips, and then sewed them right onto the crib bumper - one on the front and one on the back. I know that is not very helpful if you don't sew, but if you do sew, I hope that makes sense.

And if it does make sense, you can scroll to read about the monogram pillow now.

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If not, here are some more details.

First, I cut off the ties that come on the bumper. Later, when I installed the bumper, I made a note of where the ties should go according to the crib I was using and I sewed small strips of grosgrain ribbon to these spots for affixing the bumper to the crib. 

To cover the bumper, I used a sewing machine to essentially sew on strips of fabric to both of its sides.  I measured out six strips of 54" wide fabric - three of which were 2-3 inches taller that the bumper on top and bottom, and three of which were about the height of the bumper. I sewed the first three together on the short sides to make one very long strip of fabric that was 2-3 inches taller than the bumper on top and bottom so that I could essentially wrap this one piece of fabric around one side of the bumper and its edges - folding the fabric around the edges as I went. I sewed my seam about 1" inside of the bumper's edges to create the look of a welt. If you look at the picture, the bumper already has this kind of edge, so I basically just followed it.

Here is a picture of this strip of fabric wrapped around the bumper, and the placement of the needle shows about how far in I made this seam:


So I just sewed around this long, long rectangle until that piece was affixed. The bumper was longer than my strip of fabric, so I just cut off the excess bumper and finished up as usual around the raw edge. (When I initially tried out the plain bumper in the crib, I knew that it was a good bit longer than I needed, so I was safe chopping off the excess - make sure your crib doesn't need that extra length)

Then I took the three strips of fabric that were about the same height of the bumper and I also sewed their short sides together to make one long strip about the height of the bumper. For this strip, I did the same thing as the first in that I just sewed it right on to the bumper - but in this case, I didn't fold the fabric over the bumper's edges. Instead, I just folded down the strip's own edges to make a bit of a hem and sewed over this hem following the same seam I sewed on my earlier strip.

Let's recap - one long strip is taller than your bumper and this strip you wrap around the bumper, covering the edges. Then on the other side, you take the other long strip whose edges have been folded over to make a hem, and you sew this hem right on to the seam from the first strip (but this second strip doesn't fold around the bumper like the first).

Yes? Make sense? I didn't take good pictures, I know. Email me if you have questions.
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The second, MUCH easier project was Mason's monogrammed pillow:


This pillow uses one of my absolute favorite, favorite items that IKEA sells - the 16x24 Fjadrar pillow insert! It's an amazing fluffy insert (I think it's down?? not sure) whose quality seems much higher than the price of $6.99. I LOVE it. Love it. 

In Mason's case, I also used the Sanela velvet pillow cover from IKEA, which comes in some really handsome colors - like navy, hunter and paprika - and only sets you back $7. I went with the taupe-ish color for baby M.



So, total, the velvet lumbar pillow is only $14. Bananas. And my secret to the monogram is felt and fabric glue....that's it.

Get yourself a piece of felt in the color of your choosing from any craft store. Find a font on your computer that you really like - I find that fat fonts work the best - and print out each letter. You'll have to play around with the sizing you want each letter to be.

Then cut out each letter to use as a guide on your felt. Pin the paper letter to your felt and follow its edges to cut out the felt letter. Then glue the felt letter right to the front of your pillow with fabric glue. I use Unique Stitch, but any fabric glue will work.


That's it! I will add a disclaimer that my letters are a bit more fancy than computer font. I actually drew the letters to make them look Leontine-esque in Illustrator and then printed them from there. Being a graphic designer does come in handy with projects like this, but you can definitely still do it using fonts you like from your computer.

More details on the room tomorrow!


 

Monday, November 28, 2011

Mason's Nursery Reveal

As promised, here are the pictures from Mason's nursery!

















That last one is Lucy, one of David and Julianne's puppies. She was too cute not to include!

I'll bring you details from the room and sources this week on the blog, so stay tuned. Hope you had a fantastic Thanksgiving!


 
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